At first glance it is hard to believe terrible events are yet to unfold within this idyllic setting.Ī child runs past two women gossiping on a front stoop their dialogue reveals they’re discussing the strange car parked down Maple Street. In the episode’s first scene, a pleasant suburban neighborhood exists with a friendly atmosphere. Monsters Are Due On Maple Street instead presents audiences with a picture of humanity at its most selfish and hateful: one that is not necessarily overcome by courage or hope. Monsters Are Due On Maple Street is unique from most other episodes from Season One of “The Twilight Zone”, as its conclusion does not give viewers a sense that, in the end, good will always triumph over evil. In fact, it would not be overreaching to say that this episode features both at their absolute extremes. It doubles down on this concept by presenting viewers with a story that fits into one of the most prominent features of Serling’s work: his distaste for conformity and mindless obedience to authority. big government” story that’s become so common in modern science fiction narratives (see: any Star Wars film). The Monsters Are Due On Maple Street presents viewers with the classic “little guy vs. The Monsters Are Due On Maple Street”, in terms of tone and plot, is an excellent example of the science fiction genre. This article will focus primarily upon Serling’s original script, though comparisons to both remakes will be used where appropriate. ![]() The Monsters Are Due On Maple Street was remade twice: first in 1988 as part of the third season of “Tales From The Darkside”, and again in 2003 for Season 4 of “The Twilight Zone” (2002-2003). The only form of communication available to them is that which shaped most of the stories told on “The Twilight Zone”: using electricity and electronic devices such as television sets and flashlights. Written by Rod Serling (1924-1975) and directed by Ron Winston (notable for his work on the original Star Trek series as an associate producer and director), this episode followed a group of neighborhood residents as they found themselves mysteriously trapped in their homes, cut off from the rest of society. It's depiction of a seemingly perfect neighborhood breaking apart after a simple moment of confusion, of how quickly the simple thoughts, attitudes, and prejudices reveal themselves, of how neighbors can turn on neighbors - even gunning them down in the streets - is a reality that stretches beyond our rough neighborhoods, our "other side of the tracks" neighborhoods, and our Muslim or immigrant neighborhoods, because Maple Street is all of our neighborhoods - even Andy Griffith's.“The Monsters Are Due On Maple Street” was originally produced as an episode of “The Twilight Zone”, an anthology science fiction television series that ran between 19. Because not matter the color or the age, our hearts are still the same. "The Monsters Are Due on Maple Street" first aired in 1960, following the red scare of the 1950s, and has been considered one of the shows staple episodes ever since ( via). Over the years and through the generations, this episode has stood the test of time because Maple Street represents every street, town, and people group. And the pity of it is that these things cannot be confined to The Twilight Zone. ![]() For the record, prejudices can kill and suspicion can destroy, and a thoughtless, frightened search for a scapegoat has a fallout all its own - for the children and the children yet unborn. There are weapons that are simply thoughts, attitudes, prejudices - to be found only in the minds of men. The tools of conquest do not necessarily come with bombs and explosions and fallout.
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